| SELECTED RESUME | |
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EDUCATION |
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| 1983 | MFA, SUNY Buffalo, Visual Studies Workshop, Rochester, NY |
| 1976 | BFA, Virginia Commonwealth University, Richmond, VA |
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SOLO AND DUO (with Keith Smith)* EXHIBITIONS |
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| 2012 | Reversing the Catastrophe of Fixed Meaning, Visual Studies Workshop, Rochester NY |
| Books & Pieces, RIT Cary Graphic Arts Library, Rochester NY |
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| 2011 | VisualBooks, Light Work, Syracuse NY |
| 2008 | Hands of Time, Le Petit Versailles, NY NY |
| 2005 | Monroe and Vicinity Invitational, Tower Fine Arts Gallery, Brockport NY |
| 2003 | Keith Smith & Scott McCarney: Artist’s Books,* Clifford Art Gallery, Colgate University, Hamilton NY |
| 2001 | Upstate Invitational, Pyramid Arts Center @ Visual Studies Workshop gallery, Rochester NY |
| International Studio Residency Show, Hallwalls, Buffalo NY | |
| 2000 | Book Projects, PABA Gallery, New Haven CT |
| Scott McCarney: Books From the Collection, Arts of the Book, Yale University | |
| 2000 | K&S Books,* VisCom4 Gallery, Melbourne Australia |
| 1997 | Smart Books, University of Rochester, NY |
| Scott McCarney/Keith Smith,* Royal Melbourne Institute of Technology, Australia | |
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GROUP EXHIBITIONS |
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| 2012 | Springing to Life: Moveable Books and Mechanical Devices, University of Rochester NY |
| Innovations, Dowd Gallery, SUNY Cortland NY | |
| 2011 | After Reasonable Research, Printed Matter, Inc. NYC |
| Made in New York, Schweinfurth Art Center, Auburn NY | |
| Follow-ed (After Hokusai), Arnolfini, Bristol UK | |
| Embodied: Black Identities in American Art from the Yale University Art Gallery, CT | |
| 2010 | Beyond/In Western New York, WNYBAC, Buffalo NY |
| Fit to be Bound, Everson Museum of Art, Syracuse NY | |
| Speaking Volumes, Kohler Arts Center, Sheboygan WI | |
| The Imaged Word, Albany International Airport, NY | |
| Beyond Text & Image, Staniar Gallery, Washington and Lee University, Lexington KY | |
| 2009 | Miniature Books by American Artists, Baku Biennial, Azerbaijan |
| Writing Pictures, WNY Book Arts Collaborative, Buffalo NY | |
| Made in New York, Schweinfurth Art Center, Auburn NY | |
| Readings & Artist Made Books, Schweinfurth Art Center, Auburn NY | |
| Rare Editions: The Book as Art, Lehman College Art Gallery, Bronx NY | |
| 2008 | Mapping Correspondence, The Center for Book Arts, New York NY |
| ARAC@AAM: Anderson Ranch Arts Center at the Aspen Art Museum, Aspen CO | |
| The Information Is Not Knowledge Project, Subfloor Gallery, Jersey City NJ | |
| Intersections, Bridgewater State College Art Center, MA | |
| Artists’ Books 2008, Cuesta College, San Luis Obispo CA | |
| Your Documents Please, travelling (Japan, Hungary, Germany, Slovakia, Mexico) | |
| Stone Canoe Artists, Delavan Gallery, Syracuse NY | |
| Re:shelving Initiative 3, Eyelevel Gallery, Halifax NS | |
| 2007 | Production, Not Reproduction: Offset Printed Artist Books, Center for Book Arts, NY |
| Action/Interaction, Columbia College Center for Book & Paper, Chicago IL | |
| 2006 | Cover to Cover, Royal Birmingham Society of Artists Gallery, UK |
| 2005 | Paper Trail, Memorial Art Gallery, Rochester NY |
| NXT.Message, Koffler Gallery, Toronto Ontario | |
| 2004 | Contemporary Book Forms, Kauffman Gallery, Shippensburg University PA |
| Art Bar Artists, Ithaca NY | |
| 2003 | Outside of a Dog: Paperbacks and Other Books by Artists, Baltic Center for Contemporary Art, Gateshead GB |
| Open for Action, The Center for Book Arts, New York NY | |
| Splendid Pages: The Molly and Walter Bareiss Collection of Modern Illustrated Books, Toledo Museum of Art | |
| Love and/or Terror, University of Arizona Museum of Art, Tucson | |
| 2002 | By Chance: Serendipity and Randomness in Contemporary Artists’ Books, Arts of the Book, Yale University |
| 2001 | Not for Publication: In the Spirit of the Book, Hillwood Art Museum, Brookville NY |
| Zeros and Ones: Digital and Photo-based Works, University of St. Francis, Joliet IL | |
| 2000 | Off the Shelf, MASS MoCA, North Adams, MA |
| Back East: Artist’s books from the Northeastern states, San Francisco Center for the Book | |
| Pages, Columbia College Center for Book and Paper Arts, Chicago IL | |
| 1999 | The Art of the Book, The Society for Contemporary Crafts, Pittsburgh PA |
| Unbound, gallery:untitled, Dallas, TX | |
| A Book is not a Book is not a Book, Betty Rymer Gallery SAIC, Chicago IL | |
| 1998 | Legible Forms: Contemporary Sculptural Books, (travelling), International Sculpture Center, Washington, DC |
| Artist/Author: Contemporary Artists’ Books, (travelling), The American Federation of Arts | |
| 1996 | Artists’ Books in the Ginsberg Collection, Johannesburg Art Gallery, South Africa |
| IV Studio Internacional de Technologias de Imagem, SESC Pompéia, Sao Paulo Brazil | |
| The Alternative Page, The Gallery at Hastings-on-Hudson, NY | |
| 1995 | Science and the Artist’s Book, Smithsonian Institution Libraries, Washington DC |
| One of a Kind, USIA Arts America travelling exhibition, South America and Near East | |
| The International Library, Center for Book Arts, NY NY | |
| Reinventing the Emblem, Yale University Art Gallery, New Haven CT | |
| 1994 | Art Ex Libris, Artspace, Richmond VA |
| Printed Matter Celebrates Stonewall 25, Printed Matter, New York NY | |
| Book of the Future…Future of the Book, Florida State University, Tallahassee | |
| 1993 | Beyond the Book: Contemporary Directions, Montgomery Gallery, Scripps College Claremont CA |
| 1992 | American Book Arts/Dialogues in Paper, Studio Gallery, Budapset Hungary |
| Volumination: The Book as Art Object, Ulrich Museum of Art, Wichita KS | |
| The Library, Granary Books, NY NY | |
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AWARDS |
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| 2011 | New York State Foundation for the Arts Fellowship (printmaking/drawing/book arts) |
| 2010 | Special Opportunity Stipend (materials grant), NYFA/ Rochester Arts & Cultural Council |
| 2007 | Special Opportunity Stipend (research grant), NYFA/ Rochester Arts & Cultural Council |
| 2006 | Studio West End Artist’s Residency, Brisbane Queensland, Australia |
| 2005 | Special Opportunity Stipend (travel grant), NYFA/ Rochester Arts & Cultural Council |
| 2000 | Constance Saltonstall Foundation for the Arts Individual Artist Grant |
| 1999 | International Studio Program Residency, New York NY |
| 1996 | National Endowment for the Arts Mid Atlantic Regional Fellowship (works on paper) |
| 1994 | Artist in Residence, University of Southern Maine, Portland |
| 1990 | New York State Foundation for the Arts Fellowship (print/drawing/artist books) |
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ARTICLES/REVIEWS/CITATIONS |
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| Umbrella, Autumn, 1984: Structure of the Visual Book, by Keith A. Smith, 1984–2005; American Craft, Feb/Mar 1985; Light/Heavy Light, Poltroon Press, 1985; Book Arts Review, April 1986; Contact Sheet 51, Light Work, Syracuse NY 1986; Umbrella, September, 1988; The Print Collector’s Newsletter, September-October, 1988; Northwest Review, Vol. 27, No. 3, 1989; Northwest Review, Vol. 28, No. 1, 1990; The Print Collector’s Newsletter, November-December, 1990; Art Papers, November/December 1993; The Print Collector’s Newsletter, September-October, 1994; Umbrella, December, 1994; The Washington Post, sec. H2, June 3, 1995; The Century of Artists’ Books, Granary Books 1995. AbraCadaBra #10, Spring 1996, Alliance for Contemporary Book Arts. The Cutting Edge of Reading: Artists Books, by Renée Riese Hubert and Judd D. Hubert, Granary Books 1999; Shark 4, Summer 2002; Penland Book of Bookmaking, 2004; Fiberarts, Summer 2005; Stone Canoe, Issue 2, Syracuse University. 2008; Bound & Lettered, Vol. 8 No. 1, 2009; Beyond the Text: Artists’ Books from the Collection of Robert J. Ruben, 2010; No Translation Requied: Artists’ Books in Germany.Gerogia, Savannah College of Art and Design 2010; Beyond/In Western New York: Alternating Currents, 2010; Contact Sheet #165, 2011; Afterimage, Vol 39, No.6, 2012; Photography and the Artists Book, ed. T. Wilkie, J. Carson and R Miller, MuseumsEtc 2012 | |
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COLLECTIONS |
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| Bender Library, American University; Brooklyn Museum of Art Library; Cambridge University Library; Center for Creative Photography, Tucson AZ; Cooper-Hewitt Museum, NY; Galvin Library, IIT; Houghton Rare Books Library, Boston MA; Independent Press Archive, Visual Studies Workshop; International Museum of Photography/George Eastman House, Rochester NY; István Király Múseum, Székesfehérvár Hungary; James Branch Cabel Library, Richmond, VA; Library of Congress, Washington, DC; Museum of Contemporary Art, Chicago, IL; Museum of Modern Art Library, NY; Neuberger Museum, Purchase NY; New York Public Library; Newark Public Library, NJ; Ohio State University; Photographic Resource Center, Boston, MA; Princeton University Graphic Arts Collection, NJ; Rochester Institute of Technology; Ruth and Marvin Sackner Archive of Concrete and Visual Poetry, Miami FL; San Francisco Museum of Modern Art Library, CA; Stanford University Library; Toledo Museum of Art, Toledo, OH; UNC Chapel Hill; University of Pennsylvania; Regenstein Library, University of Chicago; Victoria and Albert Museum, London; UCLA; Yale University Library, New Haven CT; Private collections | |